RQ: Shrew 1 & Haraway 97-107

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Directions

Keep the following questions in mind as you read Act 1 of The Taming of the Shrew, and Donna Haraway’s, “Companion Species” (97-107). The questions are designed to guide your reading practices and our class discussions. You are not required to provide formal answers in class or online.

Taming of the Shrew Act 1

Does Sly remain on stage for the entirety of the play, or return to play another role? If he does return to play another role, what part would you cast him in? If he stays on stage, how does his presence shape the play’s meaning?

What does Lucentio decide to study, and why? What does Tranio suggest he do instead?

What is the matter of the play according to Baptista’s first lines? What other plots does his decision provoke?

What’s Katherina’s first line? How does she offer a rejoinder to Gremio’s “To cart her, rather” (1.155), and then some?

How does Bianca plan to spend her time till she can get married? Is there any reason to fear that “music, instruments, and poetry,” (1.1.93) will transform her into a shrew?

Do Gremio, Hortentio, Tranio, & Lucentio form a chorus? Do they represent everyday values, or do they muddy everyday values?

How does Hortentio respond to Gremio’s rhetoric?

How do descriptions of Katherina in 1.1 compare with what she does and says herself?

Near the end of act one, Lucentio says, “And let me be a slave to achieve that maid/Whose sudden sight hath enthralled my wounded eye” (1.1.18-19). What sorts of poetic conventions does he draw on here? How does this moment suggest an expectation that there is something inherently dangerous in visual composition?

Does Tranio make Luctentio or does Lucentio make Tranio? Is there any danger in their in plot?

Is Petruccio a villain? What do you make of his relationship with Grumio?

How does Hortensio interpret Petruccio? Does his response to him cast doubts on his ability to judge character?

Donna Haraway, “Encounters with Companion Species” (97-107)

What does Haraway mean when she says, “companion species” (98-99)?

  • Companion: what connotations/denotations does her etymology of the word yield? What does she mean when she says the word is “gustatory” (100)?
  • Species: What does connotations/denotations does her etymology of the word yield? How is this term ”visual” (100-102)?

What are tradition expectations of human-animal relations? What happens to those expectations when we recognize that animals not only “look back at humans” (102), but both our trajectories are irrevocably changed as a consequence of the intersection?

What does it mean to distinguish a response from a reaction? What are the stakes of this discrimination (103)?

What might it mean to consider the absence of a name as something “other than a privation” (103)?

What “obligation” did Derrida fail to meet with his cat? What kept him from answering the cat’s invitation (103)?

What questions about animals does Derrida regard as the “decisive question”? What does questions about animals does Haraway regard as the “decisive question”? Why the difference (105-07)?

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