On Tuesday we discussed the infographics; wrapped up Shrew; talked briefly about literary genre; and made an initial assault on Lear. I want to know why Lear divides his kingdoms, and/or if the kingdoms are divided prior to the line: “Meantime we will express our darker purposes” (1.36).
Types of Choices
|Incentive Moment||“Aristotle explains that a peripeteia occurs when a character produces an effect opposite to that which he intended to produce, while an anagnorisis ‘is a change from ignorance to knowledge, producing love or hate between the persons destined for good or bad fortune.’ He argues that the best plots combine these two as part of their cause-and-effect chain (i.e., the peripeteia leads directly to the anagnorisis); this in turns creates the catastrophe, leading to the final ‘scene of suffering'” (Outline of Aristotle’s Theory of Tragedy)|
|Rash Boon||A blind promise that often spurns the action in Romances or fairy tales (EX: Knight in Wife of Bath’s Tale); when a character vows to grant a wish and then is bound to follow through on the vow, despite not knowing the terms of the contract or what is expected of him in advance|
|Suspension||“’To suspend: ‘To debar temporarily’…’To hold in an undecided state, to keep from falling off sinking’… “Suspension may denote a pause in action, but this pause could be considered akin to the precautionary principle, in which we recognize that the world’s intra-active material agencies often make it prudent to await ‘further information’” (Alaimo 476 & 477)|
|Decision (worthy of the name)||“Because every decision (by its essence a decision is exceptional and sovereign) must escape the order of the possible, of what is already possible and programable for the supposed subject of the decision, because every decision worthy of the name must be this exceptional scandal of a passive decision” (Derrida, The Beast and the Sovereign, 2nd Session 33)|
Part I. Freewrite
Part II. Group Activity
- 1. Kelsey, Madison, Patrick, Hannah P, & June
- 2. Beau, Ainee, Hannah M., Caroline, & Sun
- 3. Robert, Kira, Sarah, Nicholas, & Jeffrey
- 4. Isabelle, Shamala, Thomas, Danny, & Tony
- 5. Angeline, Chan, Alexandra, & Bailey
According to Stacy Alaimo, what allows humans to decide “to ignore the current crisis of ocean conservation” (480)? What strategies does she propose humans deploy to pay attention to the ocean crisis? What are some instances in King Lear, similar to some of the instances that Alaimo analyzes in her paper, that help bridge the (figurative and/or literal) gap between human and alien habitats?